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directed by Sol Berruezo Pichon-Rivière

A mother, son and daughter trying to repair wounds that remain open after the appearance of an old “little girl”. 

Agatha, 74 years old, and Leonidas, 36, maintain an absorbing mother-son relationship: Agatha never fell in love again and Leonidas does not dare to build a life outside the doors of the family home. One day, Agatha suddenly wakes up in the body of a little girl: as herself, but at the age of eight. The only possible solution after having cut off all ties with the outside world for fear of giving explanations, will be to call Elisa, Agatha’s 38-year-old other daughter, who despite having become independent a long time ago, will return to the family home to repair wounds that remain open.

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DRAMA 4K - 2020 - ARGENTINA - 100 min 

CAST Matilde Creimer Chiabrando, Lide Uranga, Antonella Saldicco, Cristián Jensen, Claudio Martínez Bel


PRODUCED BY Laura Mara Tablón – Rita Cine

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Sol Berruezo Pichon-Rivière (Buenos Aires, 02/19/1996) is a 25-year-old director and screenwriter from Argentina, graduated in Film Direction in the Universidad del Cine. “Mamá, mamá, mama” is her first film, shot only by women: both in the crew and in the cast. Her debut film premiered at the Berlinale in 2020 in the Generation K Plus Competition, where it was awarded with
the Special Mention of the Jury. She was also the youngest director of the 70th Berlinale. At the beginning of 2021, with the support of Biennale College Cinema
she shot her second film with her producer Laura Mara Tablón: “Our Happiest Days”. The film made its premiere in La Biennale di Venezia.

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